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[February 2004]

Vol. 2, Issue 1

Content
Poetry
The Murkiness of Everyday Dialogue
A Car and Driveway Affair
Brooke Bailey
Detail on Fire
Jared Berezin
Musicians
Young Girls
Maggie Cedarstrom
Water
Matthew Cullen
snowgrave
Sarah Dopp
Time for Herstory
A New Nation
Aaron Friedman
MLK
The Second Sleep
Natalie Jane Frost
Seven Steps to Poetry
Tim Greenlaw
Leftovers
Silver-Belled Steaming Kettles
Donna Kirk
Spring Cleaning
Orion Kugel
Dover's Autumn
e.e. makes me believe
Amanda Llama
Girl
The Stunt Man
Michael T. MacDonald
Rhythm
Nicholas Sabin
Alive
Mark Santos
Me and the Ant
Sam Sobel
The Union in Flight
Sam Southworth
Song Lyrics
Flashlight
Orion Kugel
Island Soul
Derek Price
Writ Reviews
The Twilight Singers - Blackberry...
Nicholas Sabin
Birds of a feather gather no moss.
-Grandma Sally
Contents
Dear Readers,

I drink my coffee black. No sugar. More or less as boring and bitter as you can get. Really, though, in the world of coffee, this choice has nothing but benefits. The people at Dunkin Donuts love me because my order is so easy to fill. I'm perfectly content with my cup even at events, when the cream is powder and 12-year-olds have stolen the sugar. Best of all: no one tries to drink my coffee.

After my morning coffee, however, I get a little more adventuresome. Perhaps I crave it after such deprivation. My ensuing day is nothing if it doesn't have flavor, sweet richness, and a spoon sticking out of it, asking to be further stirred. Boring is unnacceptable. Bitter is unthinkable.

Now consider the fact that I inherited most things psychological from my mother. It logically follows that this particular psychology has been passed to my baby, The Writ. We can further assume that The Writ has had its morning coffee, and is now, as we speak, preparing to shake things up.

Things are about to get tasty.

Check out the new ingredient: a Writ Challenge. Take a whiff of some talent: Bethany's painting hangs strongly at the top of this page. Dance your tastebuds along our "Contents" list for some of the most amazing flavor you've experienced. And don't forget the whipped cream, as Adam Ward shows us all how sweet life can be.

But wait, there's more. And it will be here spoon... I mean soon.

Cheers,

Sarah Dopp
Editor-in-Chief

art by Bethany Murabito
Art by Bethany Murabito about the artist

Writ Challenge: Haiku
Our writers sent in their favorite 5-7-5 compositions.

See what they came up with...
 
Next Month's Challenge: Sonnets

Adam Ward
Selected Writing

Through the...
Push You Away
How We Are
Orbit / Bliss

Adam Ward
Leads with language

by Michelle Filgate
 

His voice fills the living room with a soothing intensity that makes my usual scattered thoughts come into a quick focus, as though his singing becomes binoculars into the recesses of the moment. Adam Ward stands next to a guitar-shaped lamp, his black hair slicked back into a ponytail, his facial expressions showing that he is riding on a musical high as he plays his guitar and sings the lyrics he wrote himself. We have just driven over from Cafe on the Corner in Dover after an interview so he can play some songs for me. I'm instantly caught up in the way he moves to his music, the way his body and voice and movements form a poetry that is so unique to talented musicians. And talented he certainly is.

It's no wonder. He comes from a musical family. Adam's father, David Ward, sings harmony on his CD with him, and played in a bluegrass band while Adam was growing up.

In addition to being a full-time senior psychology major at UNH, Adam finds time to be extremely involved in the local arts scene. His self-titled CD was released in 2003 and he has played at many local venues in the area, including Cafe on the Corner and at UNH. The New Hampshire Artist's Circle, formed last year, is a group he regularly participates in and works with to collaborate creatively on to bring local musicians and writers and visual artists together and give them a voice on campus.

He started writing his own songs in tenth grade and got more serious about it in the last couple of years. As a child he was entranced by the possibilities of seeing the world that music offered him.

"I sang along happily, mimicking the tone of the horn as I spun faster and faster. My heel always hit the floor as the downbeat of each pulse of sound was generated and transmitted. Controlled only by the beat, and wishing to run and twist faster, I was forced to run twice as fast, now taking eight steps per measure. Never, ever, could I run out of time. I could not break the rhythm, I could not breach contract with beat. I was hypnotized by all the wonder of art in motion and sound. The object, the phonograph, the lyrics, the rhythm, and the ceiling and my mind and soul all blended into one perfect entity. I tranced out into total complete elation." (From "Orbital Bliss", an essay he wrote)

Right after high school he became part of a cast of 150 people from all over the world that was a musical road show. The tour lasted for eleven months and covered the U.S., Canada, and Europe. Adam said that it was on this tour that he realized how much he loved playing music for people and traveling. This enthusiasm he has for the wonders of interaction is evident in the lyrics to one of his newest songs not on his CD, "Through the Same Things":

Read more...

About the artist...

Bethany Murabito was born into a complicated existance to a Polish housewife and an Italian tax collector. She is a Junior English major and a Woman Studies minor at the University of New Hampshire. Her art, called "Trash Art," is "turning trash into cardboard stimulation." Her inspirations include Jean-Michel Basquiat, Andy Warhol, and Julie Verhoeven, along with The Rapture, the Velvet Underground, and Sonic Youth.

This issue of WRIToracle is brought to you by...

Editor-in-Chief, Webmistress
Sarah Dopp
 
Graphic Designer
Jeremiah Gould

Editors
Jeremiah Gould
Tim Greenlaw
 
Staff Writers
Michelle Filgate
Nicholas Sabin
 

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